Welcome to Outline

“The most important features for us when deciding upon the Newton were its small form factor with such a high I/O count, the wide scope for redundancy with dual PSUs, multiple layers of redundancy on the inputs, its unique approach to switching if an input is lost and the fact that it can SRC the wide range of digital formats it takes in. On both MTV and the Brits the Newtons were used as the front-end matrix for the audio system, taking inputs from both the presenter and band consoles in multiple formats to give us true redundancy, so MADI, Dante, AES and analogue were all used simultaneously. With the complex system design and show layout, being able to take in large groups of inputs in multiple formats was a winner – the Newton has managed to replace multiple units which used to have to be cascaded, it has eliminated clocking headaches and also means we can have an overview of everything that’s going on, all within one page of the software. The Newton having proved itself on two large scale, international televised events has shown that with its flexibility it could be used on a wide variety of our projects and it will be my go-to choice for these events moving forward.”

“Nick Boulton and I have found Superfly to be an exceptionally good sounding and flexible cabinet. It has a very flat, consistent response which reacts very well to EQ and copes easily with a wide dynamic range of programme material. The low box weight and fly-ware also means we can hang a sufficiently high number of cabinets from the smallest to the largest of venues, whether clubs, theatres or arenas. Some of the results have been truly stunning and all in all, I feel the combination of Superfly and Mantas was the perfect choice for the European leg of the current Stereophonics World Tour 2020. I look forward to using Outline products again in the future…!”

“Rat Sound has been searching for several years for a solution to drive our festival sound systems and Outline has met the challenge with an elegant solution. With the Newton we can combine consoles and drive outputs in a multitude of popular formats, and we appreciate all the various clocking options. Our System Engineers instantly appreciated the intuitive, easy to use software control. Rat Sound has immediately begun deploying Newton’s on a multitude of festivals, and we plan on utilizing them on all our festival events in 2019 and beyond.”

“The Newton is a powerful unit which answers a long term need for festivals and touring. One unit can replace several of the ‘industry standard’ units which are a hassle to interlink. No other unit has the ease of use and flexibility in clocking, I/O and routing. I look forward to using them on more of my projects, and as the software develops, I’m sure they will only get better!”

“Newton is an extremely capable device. A single 1RU unit replaces a multitude of current industry standard devices. The clocking flexibility, simplistic routing, and plentiful IO makes Newton a dream to use. Each output has gain, delay, polarity, layers of EQ, and every filter type including both types of all pass filters! The possible uses for the device are incredible. Not only can the Newton make a whole rack of gear disappear, but sonically it is very transparent. When applying a filter, you hear the filter, nothing else. I find achieving the desired result not only easier, but also improves the overall sonic performance of the entire system.”

“The GTO was already a winner on paper, due to the box containing superior components: four 3″ (HF), four 8″ (MF), and two 15″ (LF) all in a single enclosure. However it was only when I worked with the system for the first time in front of a 700,000-strong audience that I realized that the GTO was not only far superior on paper, but also compared with anything else I had ever worked with.”

“The internal word clock management allows the user to remain synchronous with whichever console is live, should they wish, the 18×16 matrix is going to be incredibly useful and the fact that all this is built in a 1RU space just makes it even better.”

“What can I say… Working with Outline Systems is like bringing back the correct acoustic rules… but with really high technology on board fully in control without tricks… The best moment is always when we turn on the full rig… For me it’s like sitting on my Harley on a non-stop ride from the East Coast to the West Coast… Pure pleasure… Chapeau, Monsieur Noselli!… So what can I say… Nothing – just listen… louder!…”

“Since I used a Newton for the first time in May 2018 as a console matrix, it’s been my preferred method of getting multiple consoles into the PA system at any one time. This year at TRNSMT we stepped it up a notch and used a pair of Newtons in tandem to do all of my console matrixing and system processing. Taking LRSF from up to 4 consoles at any one point in AES3 format with an Analogue backup, and giving me all my PA sends plus record and programme matrix’s, the Newtons worked seamlessly throughout the weekend. With the latest software update including SMAART integration and the tablet mode, what was already a fantastic bit of kit, is only going to get better.”

“With over 700 shows under my belt mixing Justin Moore, I’ve never come across another system that has the sonic accuracy and headroom of Outline’s GTO C-12.”

“Outline has done a wonderful job making GTO C-12 sound fabulous right from the start – rich, potent, and with the silky smooth highs that Outline is known for. In a theatre setting, it was the most hi-fi experience, much like sitting at home listening to my reference system.”

“It was very risky and I’d never have accepted the challenge without the Outline systems, because I know them inside out!” [ref. World Youth Day in Krakow with 2.5 Million Pilgrims]

“The sound produced by the guys on stage is rich, full and symphonic, and it is essential that I have a PA that capable of delivering this to all corners of the auditorium. The reach of this system is phenomenal – the people at the back of the balconies have been enjoying a far more full frequency spectrum than previously, particularly in the top end. The GTO C-12 system to me is voiced very forward, which makes it very suitable for arena-sized and smaller outdoor shows and this characteristic really helps it push the mix to all corners of the venue.”

“GTO is the closest thing I found in live sound to the definition of studio monitoring. It’s so detailed that you need to treat it with respect. In some ways you have to rethink your mix and be careful not to overlook anything that will show up if it’s not handled carefully.”