en
it
News
Loading…
“It was very risky and I’d never have accepted the challenge without the Outline systems, because I know them inside out!” [ref. World Youth Day in Krakow with 2.5 Million Pilgrims]
“As a team we bring to professional audio the same legendary Italian passion and creativity that lead the world in many other fields. We listen to our customers so that we can create the true audience experience.“
“The GTO was already a winner on paper, due to the box containing superior components: four 3″ (HF), four 8″ (MF), and two 15″ (LF) all in a single enclosure. However it was only when I worked with the system for the first time in front of a 700,000-strong audience that I realized that the GTO was not only far superior on paper, but also compared with anything else I had ever worked with.”
“Managing Director Keith Davis, Senior Project Manager Martin Connolly, Project Manager Robin Conway and I sat in the back row of the upper bowl and the clarity and sonic performance of the [GTO C-12] system blew us away…the highs, mids and lows were all incredible. There was not even a hint of needing delay hangs for the O2 Arena.”
”The Outline system works great, and the settings available have enabled me to easily achieve a smooth and natural response across the entire frequency range.”
“I try to mix the show the way I would want to hear it, nice and punchy with lots of vocals so the crowd can sing along. The GTO C-12 has easily accomplished that task. The system sounds even across the whole spectrum and didn’t seem to shift its tonal balance if it was driven lightly or given its head. Francis Rossi in particular is very in touch with the audience and they hang on his every quip, so having his vocal mic open and crystal clear is paramount. I go for big drums sounds, fat guitars, a good layer of BV’s and make sure all the guitar solos are present.”
“GTO is the closest thing I found in live sound to the definition of studio monitoring. It’s so detailed that you need to treat it with respect. In some ways you have to rethink your mix and be careful not to overlook anything that will show up if it’s not handled carefully.”
“There are very few powerful PA’s on the market that also sound even, tight and clean. GTO is one of them. Its quality is outstanding and like every other Outline product is versatile and easy to manage. The excellent 3D prediction software OpenArray helps to create a perfect sound design too. The R&D team does incredible job. I started using Outline since the Butterfly days and it is always a pleasure to mix using their systems.”
“What can I say… Working with Outline Systems is like bringing back the correct acoustic rules… but with really high technology on board fully in control without tricks… The best moment is always when we turn on the full rig… For me it’s like sitting on my Harley on a non-stop ride from the East Coast to the West Coast… Pure pleasure… Chapeau, Monsieur Noselli!… So what can I say… Nothing – just listen… louder!…”
“Outline has done a wonderful job making GTO C-12 sound fabulous right from the start – rich, potent, and with the silky smooth highs that Outline is known for. In a theatre setting, it was the most hi-fi experience, much like sitting at home listening to my reference system.”
“The sound produced by the guys on stage is rich, full and symphonic, and it is essential that I have a PA that capable of delivering this to all corners of the auditorium. The reach of this system is phenomenal – the people at the back of the balconies have been enjoying a far more full frequency spectrum than previously, particularly in the top end. The GTO C-12 system to me is voiced very forward, which makes it very suitable for arena-sized and smaller outdoor shows and this characteristic really helps it push the mix to all corners of the venue.”
“With over 700 shows under my belt mixing Justin Moore, I’ve never come across another system that has the sonic accuracy and headroom of Outline’s GTO C-12.”